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Raja Jayasri |
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Cambodia Highlight: |
- Date:
Late 12th century
- Reign of
construction: Jayavarman VII (1181-1218)
- Cult:
Buddhism
- Art Style:
Bayon
- Clearance
work: H. Marchal 1920-1924
- Anastylosis:
Mory Glaize 1938-1939
Neak Pean situated
in the middle of artificial lake "Jaya Tadaka", 3700m by 900m, which
now has been dried up. In the centre of this space is a square lake
72m along, bordered by four smaller lakes situated on the axis and
lower than the embankment surrounding the main one. In the middle of
it, is a small sanctuary which was formerly entwined by the
trunk-roots of a giant creeper, now dead. This sanctuary has
decoration dating from Jayavarman VII. Its four bays, which were
originally open, were walled up with fine standing images of
Avalokitesvara, to who, in his role of divine healer. The repairs to
the monument carried out by Mr. Glaize, re-established the
former appearance of this edifice which stands on a base in the form
of a huge lotus. Thus, the idol of the tower stood on the sacred
flower, the usual base for divine beings which seems to float in the
lake.
Symbolism of the
Neak Pean
Neak Pean is a
miniature, simplified model of an aspect of the Buddhist cosmology.
Here Jayavarman VII's love of symbolic representations, difficult to
discern amidst the scale and the complexity of the Bayon. The Neak
Pean re-creates a famous site in Buddhist mythology, the Southern
island of Jambudvipa. This is the home of humans, and at the center
is the Hmalayan lake Anavatapta, the sacred springs visited by
Buddha, Bodhisattva, Saints, hermits and affected people. The
healing waters flowed out from the lake in the cardinal directions,
through fountain-heads in the forms of a lion, an elephant, a horse,
and a bull, the same four creature found upon the drum of the famous
Sarnath lion capital.
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Neak Pean |
At the center of
the Neak Pean is a square tank, in the middle of which is small,
circular stone tower, on a round stepped plinth, in turn encircled
by two serpents, their raise heads facing east and their entwined
tails to the West. This whole is surrounded by four smaller tanks,
connected by water spouts which and in the heads of a horse, and
elephant, a lion and a human being's head for that of the bull may
be another instance of Jayavrman using his own feature, a practice
already much in evidence throughout Angkor. It would appear that
Buddhist priest, standing on the steps that enter the central pond,
poured the sacred water by hand, into a spout, which then flowed out
through the carved heads and down upon the worshipper, who stood
below, inside a small cave, but not visible to the priest. The
devotee stood upon or sat on a pair of carved, stone feet, directly
beneath the head, to receive the sanctified and healing waters. Two
of the pairs of carved feet remain today, one larger than the other,
perhaps indicating male and female sizes.
The eloquent Neak
Pean, a minature version of the mythical waters of the four great
rivers, is indicated to the lord of compassion, Lokesvara, the form
of Avalokitesvara favoured by Jayavarman VII. In the main tank is a
colosal stone horse with figures clinging to its sides, portraying
the saving of drowning sailors by the compassionate Bodhisattva.
Excavations have revealed fragments of three other statures,
completing the symmetry of Jayavarman VI's vision.
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